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 Wednesday, February 06, 2008
Speaking of Dickens ...
Posted by maggie
... which I was in the Feb. 5 posting that just preceded this:
I was revisiting Our Mutual Friend, Charles Dickens' last completed novel, yesterday and came across his postscript to it, written Sept. 2, 1865. He comments on his process of developing a mystery in the plot and then says:
"To keep for a long time unsuspected, yet always working itself out, another purpose originating in that leading incident, and turning it to a pleasant and useful account at last, was at once the most interesting and the most difficult part of my design. Its difficulty was much enhanced by the mode of publication; for, it would be very unreasonable to expect that many readers, pursuing a story in portions from month to month through nineteen months, will, until they have it before them complete, perceive the relations of its finer threads to the whole pattern which is always before the eyes of the story weaver at his loom. Yet, that I hold the advantages of the mode of publication to outweigh its disadvantages, may be easily believed of one who revived it in the Pickwick Papers after long disuse, and has pursued it ever since."
So Dickens thought publishing periodical installments of a novel had many advantages. But do they still outweigh the disadvantages, more than 140 years later?
2/6/2008 8:53:23 AM (Central Standard Time, UTC-06:00)
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 Tuesday, February 05, 2008
Abandoning a Chapter at a Time
Posted by maggie
I think there's a trend out there among entertainment consumers that is a basic change in a certain type of audience. It's an audience that enjoys the chapters enormously but that has lost patience with having those chapters doled out on a delayed basis. The trend has occurred before, certainly. Canny admirers of Charles Dickens know that his novels were released over a span of months -- and that the process affected the books we read today only in collected form. What happened to Little Nell in Old Curiosity Shop was not intended from the beginning; in fact, she originated in a whimsical piece that was more essay than story, and Dickens pretty much forgot about her brother, who had initially appeared to be a major character. The downside of that sort of creation may be best known, in fact, via Dickens' The Mystery of Edwin Drood -- which remains a mystery, since the author died in the midst of writing (and publishing) the story. But as far as the way fiction in general is published today, we find novels published as a whole, without installments. In fact, the last major novel-in-installments was Stephen King's The Green Mile. However, it remains the tradition in our own comics field -- and in TV series. It's already apparent that comic books today are, by and large, being designed to satisfy the reader who doesn't care about the installments. I find myself delaying reading comics series until several issues of a story arc have been published; I don't have to remember the ever-increasing plotlines of current stories in order to bring myself to the point at which I can start a fresh installment, and what may seem to be a weak issue can turn out to be a key transition. And the same has begun to take hold in the TV sries I enjoy. It began with Veronica Mars. As it happened, I saw a recording of the pilot of the first season, enjoyed it mightily, and checked my local schedule to find out when the next installment would air, only to find out that the series being broadcast was up to the 10th episode. Heck with it, thought I, I'll wait for the DVD collection. And I did and I loved it. I never tried Boston Legal, despite Brent's recommendations. But, when the DVD set came out, I took a chance -- and loved it. Two for two. Soon, others joined the mix -- including series I'd initially watched on a regular basis. So I've virtually given up watching broadcast continuity shows, opting instead to wait a few months so's to enjoy them without commercials or delays between episodes. House, Bones, Lost, Smallville, The Riches, The Office, My Name Is Earl ... I'm having a great time (though I find it increasingly difficult to stop watching -- burning through weekends sometimes). These days, when they're on new, I'm pretty much limited to Heroes, The Daily Show, and The Colbert Report. But what does that mean for the broadcast shows down the line? And comic books? Veronica Mars was, after all, canceled. 
2/5/2008 11:35:28 AM (Central Standard Time, UTC-06:00)
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 Monday, February 04, 2008
The Art of Gus Arriola
Posted by maggie
As I said in my previous post, Gus Arriola's Gordo was one of my favorite strips. If you want to check out the strip's art, there are a few collections to look for on eBay. This is the earliest of which I'm aware. (Arriola redesigned each of his daily strips into its own page.):  Later books were somewhat more straightforward in their reprints and tended to focus on the many animals in Gordo's world:  Here's a sample of one of his Sunday strips (this one from Gordo's Cat): 
2/4/2008 11:31:01 AM (Central Standard Time, UTC-06:00)
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 Sunday, February 03, 2008
If You Never Read Gus Arriola's GORDO ...
Posted by maggie
... let me suggest you seek it out. The death of cartoonist Arriola at age 90 sent me to my bookshelves to revisit one of my favorite strips. Arriola was probably best known as a gag-a-day man, but the ones I enjoyed the most tended to be the continuity adventures.
Thanks to Bob Harvey, I have my favorite story in collected form. It appears in his still-available Accidental Ambassador Gordo: The Comic Strip Art of Gus Arriola and involves the characters Gordo, Poet, and Rusty Gates (the last of the three being a waitress at a local restaurant). At $27 (less than the price of 10 average comics today), it'll give hours and hours of delicious entertainment.
Other Arriola collections include:
Gordo (Garden City, NY: Doubleday, 1950)
Nitty Gritty 1972 color paperbacks from Concord, Calif: Bug Rogers, Gordo's Pets, Gordo the Lover, Ponce deLeon, Poosy Gato, Popo and the Sun, Tehuana Mama, and Those Playworms Porfirio and Panchito
Gordo's Cat (San Diego, Calif.: Oak Tree, 1981)
Gordo's Critters (Berkeley, Calif.: Celestial Arts, 1989)
His gorgeous sense of design makes the originals of his strips a lovely addition to any wall; I have three currently framed and hanging, and somewhere in My Stuff is a fourth I must dig out soon, since it's a re-drawing of my favorite sequence in the strip, a sequence he revisited a few years after the original telling in the mid-1950s.
I've spent some time this morning scanning art I'll post tomorrow. In the meantime, here's the text from the closing panel of the March 2, 1985, strip that saw Gordo married to Tehuana Mama:
"Dear Friends -- After 43 years of relentless delineation, today we draw ... a conclusion.
"Through this popular medium, we have tried to maintain a daily awareness of our southern neighbor, creating an interest in its history and culture with entertaining human-interest situations. We hope that it has made some measurable contribution to inter-American understanding.
"Given the nature of current rising tides, it behooves us to steer Gordo's little ark of decorum to saner shores.
"To all of you who have written such warm words of appreciation and to the publishers, who provided the forum, heartfelt gracias.
"We leave with a line from Yeats -- 'But I, being poor, have only my dreams; I have spread my dreams under your feet; tread softly because you tread on my dreams.'
"Ta ta! Hasta la vista! Love, Mary Frances Sevier and Gus Arriola."
2/3/2008 10:33:15 AM (Central Standard Time, UTC-06:00)
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 Saturday, February 02, 2008
Science Fiction and Fantasy at Heritage
Posted by maggie
The mail today brought me the catalog from Heritage's next stupendous offerings of fantasy and science fiction featuring The Robert and Diane Yaspan Collection of Science Fiction and Fantasy. It has me salivating already.
If we must find comics connections (aside from the fact that many of these items either inspired comics or were adapted into comics form), I'll note Lot #56762, First hardcover editions of five volumes written by August Derleth but illustrated by Clare Victor Dwiggins (aka "Dwig"), a cartoonist of delightful images.
And there's lot #56911, George Lowther's novel The Adventures of Superman (1942) -- signed by both Jerry Siegel and Joe Shuster (estimated at $3,000-$4,000). Too pricey? There's two more copies, unautographed, one estimated at $500-$700, the other at $400-$600.
But it's fun just to look at some of these items (lots of them autographed first editions in the SF field) -- and I'm getting a boot out of the collection of mystery titles, too.
It's a rich auction, with two copies of what at one point, at least, was the Grail of fantasy collectors: The Outsider and Others. And more, more, more, including original manuscripts by iconic creators, correspondence from some of them, and the like. Wow. Time to savor ...
2/2/2008 4:10:47 PM (Central Standard Time, UTC-06:00)
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 Thursday, January 31, 2008
And Now It's Adrian Tomine on NPR!
Posted by maggie
I guess we should just keep checking National Public Radio for comics features. You never know on what show they'll pop up. Today, for example, on Fresh Air, there'll be an interview with Adrian Tomine involving the release of his Shortcomings.
1/31/2008 11:28:19 AM (Central Standard Time, UTC-06:00)
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 Wednesday, January 30, 2008
NPR Features Captain America News
Posted by maggie
National Public Radio's Morning Edition today featured a report on the issue of Captain America that goes on sale today. The news featured writer Ed Brubaker's comments on Bucky's takeover of a classic role. Yes, the old is new again, and the three ways of handling continuity characters in comics (day-for-day, stretching the calendar, and timeless approaches) aare in my brain again. In fact, it's the topic of my Beautiful Balloons print installment in CBG #1640, on sale next month. In the meantime, folks are blogging on the news at the NPR site.
1/30/2008 9:45:47 AM (Central Standard Time, UTC-06:00)
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 Wednesday, January 23, 2008
George Was Also in Comic Books
Posted by maggie
In mulling my Jan. 21 posting on George of the Jungle, I realize I never indicated there was actually (briefly) a George of the Jungle comic book from Gold Key. It ran two issues in 1969, and here's a panel from #2:  The two other featured characters also appeared in the comic book. Here's Tom Slick:  And here's Super Chicken (in his alter ego):  Unusually among comic-book licensees, the stories in the Gold Key series seem to me to have adapted scripts of actual TV episodes -- though I'll be able to tell better, once I get my mitts on the DVD set.
1/23/2008 10:56:27 AM (Central Standard Time, UTC-06:00)
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 Tuesday, January 22, 2008
Neil Gaiman Returns to Work on Neverwhere
Posted by maggie
Sometimes, I take it for granted that people are following my favorite links (on the left there). But, just in case you're not, here's a quote from Neil Gaiman's blog: "The Writer's Strike continues. I was delighted that the Weinstein
Company has just made a deal with the WGA, agreeing to all the terms,
as that means I can now go back to work on the Neverwhere
movie. (A short history -- I wrote about eight drafts of
Neverwhere-the-movie between 1997 and 2000, and then retired. Other
people came in and wrote scripts, some of which were hated and some of
which weren't, but it died. Last year my agents sent someone who asked
about it the version of the script they had, which was the last draft
script I did in 2000, and people read it, got excited and suddenly it
came back to life, with the Hensons producing and doing it with the
Weinstein Company. It needs to find a director, but at least I can work
on it now.)" Huzzah! Now go read the rest of his recent posts.
1/22/2008 10:44:34 AM (Central Standard Time, UTC-06:00)
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Oscar Nominations
Posted by maggie
Well, it's going to be a strange contest for Animated Feature Film: Ratatouille and Surf's Up are aimed at audiences looking for wild animation entertainment, whereas Persepolis, which didn't make the finals for best foreign film despite being the official French submission, is a thought-provoking look into a young woman's development in Iran. Persepolis has received raves and is based on work by comics creator Marjane Satrapi, who shares director credit on the 2007 film. (Have you read the comics version? It's stupendous.)
1/22/2008 8:37:00 AM (Central Standard Time, UTC-06:00)
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Ho Hum
Posted by maggie
A weekend chit-chat reminded me to dig out one of my favorite books.
Thought I'd provide three samples.
Ho Hum: Newsbreaks from The New Yorker [compilation,
editing, and commenting by E.B. White] New York: Farrar & Rinehart,
Inc. 1931. It's illustrated with cartoons by Little King creator Otto Soglow. Quoting from White's foreword: "There is a secret joy in
discovering a blunder in the public prints. Almost every person has a
little of the proofreader in him; and just as a certain kind of person
walks through a field with his eye peeled for four-leaf clovers, a
similar kind of person goes through a newspaper looking for errors." There was a follow-up, Another Ho Hum: More Newsbreaks from The New Yorker, which I haven't seen but which I think I'm going to look for.
Sometimes, White doesn't provide more of a comment than the headline:
THE DEPARTURE OF CLARA ADAMS
[from the Burbank (Cal.) Post]
Among the first to enter was Mrs. Clara Adams of Tannersville,
Pa., lone woman passenger. Slowly her nose was turned around to face in
a southwesterly direction, and away from the hangar doors. Then, like
some strange beast, she crawled along the grass.
Sometimes, he makes a remark.
If one suffers from cold feet, often plunging them into cold water
and then rubbing briskly and thoroughly with halves of apricots, whose
centers have been filled with green cherries. -- San Francisco paper.
We'll suffer in silence, thank you.
Or a response.
Would anyone care to discuss current economic and international
problems with keenly interested but not well-versed young woman? -- Adv. in The Nation.
No.
Maggie here again: Just thought I'd share. Happy day.
1/22/2008 8:20:46 AM (Central Standard Time, UTC-06:00)
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 Monday, January 21, 2008
Buy George!
Posted by maggie
Friday night, I watched the premiere of George of the Jungle on The Cartoon Network and have been mulling ever since a bitter tirade about the new version of the 1967-8 wonder that was reported to have been the only Jay Ward production ever to lose money. There was never a need for a live-action version, and I never made an effort to view it -- so the 1997 version (at more than an hour and a half, which seems a bit overlong for the concept) may have been wonderful. Leonard Maltin says, "Fraser and Mann are immensely likable," but adds, "Why couldn't they come up with at least a few funny lines for the Ape named Ape?" The Jan. 18 debut on The Cartoon Network didn't display as much familiarity with the concept as Leonard clearly showed. In fact, it seemed as though at least the producers and scripters knew no more of George of the Jungle than the opening song -- and, moreover, didn't quite understand that. (Apparently, they took the footage and lyric of "Fella and Ursula stay in step" to mean that George hung around with two young women who were identical in appearance, rather than the correct meaning: George didn't fully realize that Ursula [though apparently his wife] was female -- or what that might mean. So he frequently referred to her as "Fella." Fella and Ursula were one and the same. The Cartoon Network version has Ursula -- and another young woman, Magnolia, who looks very different from Ursula.) The art on the new version is lovely, but the inventiveness of the original has (at least as far as the initial episodes are concerned) been discarded. And, of course, there's no sign of the "Tom Slick" or "Super Chicken" features that accompanied George originally. All of which, I suppose, is simply another tribute to the genius of the Jay Ward ensemble. However, all my gripes aside, here's the great news: George of the Jungle: The Complete Original Series is scheduled to go on sale Feb. 12. The two-disc DVD set will list for $19.95 and provide 6 hours, 14 minutes of joy for fans of a 40-year-old entertainment that strikes me as pretty doggoned timeless. Several years ago, there were a few pre-records on VHS that were inexplicably released at SLP speed (guaranteeing bad fidelity), and my grandchildren have been stuck with those until now. Are the original cartoons good? I recall videotaping one of the shows years ago and showing it to a neighbor's son who was about 5 years old. He laughed so hard at the "Super Chicken" episode that his face turned red, tears rolled down his cheeks, and he grew short of breath. Not every moment of every episode provided that pinnacle of entertainment, but each of the three features of every show had its merits that rewarded multiple viewings by young and old. Jeff Lenburg's The Encyclopedia of Animated Cartoons provides the following list of features: George of the Jungle (Bill Scott voicing George, June Foray voicing Ursula, Paul Frees voicing Ape): The Sultan's Pearl, Malady Lingers On, The Gorilla God, Oo-oo Bird, Monkey Business, Desperate Showers, Little Siccors, Next Time the Train, The Trouble I Seed, Big Flop at the Big Top, Rescue in My Business, Dr. Spritzer I Presume, Chi Chi Dog, Treasure of Sierra Madre, Man of All Hunting Seasons, and Forest Prime Evil. Super Chicken (Bill Scott voicing Super Chicken, Paul Frees voicing Fred): The Zipper, One of Our States Is Missing, The Oyster, Wild Ralph Hiccup, The Elephant Spreeder, Rotten Hood, Easter Bunny, The Geezer, The Noodle, Rag Dolly, Merlin Brando, Fatman, Briggs Bad Wolf, The Laundry Man, The Muscle, and Dr. Gizmo. Tom Slick (Bill Scott voicing Tom, June Foray voicing Marigold and Gertie): The Big Race, Monster Rally, Show What, Send Me a Sub, I Was Railroaded, Cup-Cup Race, Balloon Race, Dranko the Dragster, Overstocked, Sneaky Sheik, Indian-Apples 500, Double Cross Country Race, Cheap Skate Derby, Irish Cheap Skate, Bad Year Blimp, and Swamp Buggy Race. Such quotes from these shows as, "You knew the job was dangerous when you took it," entered family parlance, and we were the better for it. The show was a gem. Enjoy its facets Feb. 12. In the meantime, here's one of the VHS images.
1/21/2008 10:44:51 AM (Central Standard Time, UTC-06:00)
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